Now, I realize that doing watercolors and gouache (which I learned was once called bodycolor) over ink doesn't seem like it would call for much testing, but then you don't understand how long it's been since I've worked with watercolor. The water-based disciplines sometimes get the short shrift because of their associations with crayons and kids, but to do them well takes patience and skill.
So, I started with a quick sketch of classic Hollywood star, Myrna Loy. It's not totally accurate, and I realize the level of the eyes are a bit wonky....but didn't I say test above?
I chose to go for a teal/turquoise color of glazing. The first couple I mixed, but as I felt it needed more greens or blues, I only added additional glazes of one or the other. Myrna's hair was red and I figured that would be a great offset to the backdrop...and hey, I think I was right. So there you are.
In case you were wondering what the finished piece from last week's post looked like. I figured I'd include it with this post. Using sepia as a base glaze helped get that muted tone that I'm going to be looking for in the final pieces.